EP 157: Deaf Wish; Deep Heat; Bearhug

Deaf Wish

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Recorded by Alicia Saye and Paul Maybury
Mixed by Alicia Saye and Paul Maybury
Mastered by Paul Maybury
Recorded at PBS Fm Studios, Melbourne, 2nd February 2016.

Starting in 2007 in MELBOURNE, Deaf Wish have been making flat out rock and roll noise that straddles the fine line between melody and chaos. Their intense sound is backed up by a ferocious live show that has seen them tour all over the world. The heart of Deaf Wish’s sound lies in their philosophy; Keep it loud and keep it simple. To further strengthen their rep as a hard hitting rock n roll group they have released one EP and one Album through legendary Seattle Label Sub Pop.

Deep Heat

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Recorded by Alicia Saye and Paul Maybury
Mixed by Alicia Saye and Paul Maybury
Mastered by Paul Maybury
Recorded at PBS Fm Studios, Melbourne, 2nd February 2016.

Deep Heat began in 2010 with two bassists who wanted to play guitar, and a guitarist who wanted to play bass. Their frantic punk rock sound is topped off with three shouting vocalists that creates a kind of chaos that could cave the walls in at any moment while you shout along with them.

Bearhug
Bearhug1

Recorded by Hugh Fasher and Harvey O’Sullivan
Mixed by Harvey O’Sullivan
Recorded at Newtown Social Club, Sydney on the 18th of September, 2014.

Known for their hazy, slacker indie-rock vibes, Sydney band, Bearhug has a knack for infusing a sometimes carefree, sometimes agitated but always nostalgic sound into their music. Driven by walls of guitar hooks, noodling melodies, and bare-bones drums that careen under laidback vocals, the band captures that “hair-in-the-face” adolescence spirit that aligns them to 90s stalwarts Dinosaur Jr., Sonic Youth, and Screamfeeder.

Airing details: Originally via Zed Digital, 7-8pm, Sunday 27th March 2016.
Show production and engineering: Branko Cosic.

EP 147: The Highlights of 2015

This episode is a compilation of the best live performances captured and broadcast by Live Delay in 2015.

Artist Include

Making – Come To Me
Recorded by Josh Watson
Mixed by Branko Cosic.
Recorded at Crowbar, Brisbane, 5th September 2015.

Spirit Bunny – Gold & Brown
Recorded by Branko Cosic
Mixed by Cam Smith
Recorded at The Waiting Room on the 13th of September, 2014.

Sunbeam Sound Machine – Wandering, I
Recorded & Mixed by Branko Cosic.
Recorded at The Triffid, Brisbane, 27th of June, 2015.

Bearhug – Habit Wave
Recorded by Hugh Fasher and Harvey O’Sullivan
Mixed by Harvey O’Sullivan
Recorded at Newtown Social Club, Sydney on the 18th of September, 2014.

The Peep Tempel – Carol
Recorded & Mixed by Branko Cosic.
Recorded at The Brightside, Brisbane, 16th of May 2015.

Super Best Friends Dog Whistling
Recorded by Harvey O’Sullivan and Hugh Fasher
Mixed by Harvey O’Sullivan
Mastered by Andrew Edgson
Recorded at Newtown Social Club, Sydney, 2nd of May, 2015.

The Love Junkies – Rather Be Dead
Recorded & Mixed by Branko Cosic.
Recorded at The Haunt, Brisbane, 25th of April, 2015.

HITSPush
Recorded & Mixed by Branko Cosic.
Recorded at The Triffid on the 3rd of May, 2015.

Bandito Folk – Go Your Own Way
Recorded by Josh Watson.
Mixed by Josh Watson.
Recorded at The Underdog, Brisbane on 20th of November, 2014.

Palms – Rainbows
Recorded and Mixed by Branko Cosic.
Recorded at The Foundry, Brisbane, 20th August 2015.

Lyall Moloney -Pot of Gold
Recorded & Mixed by Branko Cosic.
Recorded at The Bearded Lady, Brisbane, 13th of August, 2015.

Airing details: Originally via Zed Digital, 8-9pm, Friday 18th December 2015.
Show production and engineering: Branko Cosic.

 

Ep 128: Frown; Bearhug

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Frown
Recorded William Clark & Alex O’Donovan
Mixed by Branko Cosic.
Recorded at Crowbar, 27th of March, 2015.

Over the past year, local doom metal band, Frown have been wreaking havoc over humankind across the Australian East Coast. Using the Pagan calendar to record their latest release, The Greatest Gift to Give, the band offers a chilling crossover of doom crust, black, metal, and DIY thunder with an intense provision of energy. According to reports by audience members, they have felt an impending sense of doom leading into the band’s live performances.

Frown has paid homage to the underworld with their own brand of dark arts at Doomsday Fest, When Terror Unites and Shedstock, sharing the stage with the likes of Innsmouth, Impetuous Ritual, Nihilistic Front, and Japan’s Church of Misery.

Bearhug1

Bearhug
Recorded by Hugh Fasher and Harvey O’Sullivan
Mixed by Harvey O’Sullivan
Recorded at Newtown Social Club, Sydney on the 18th of September, 2014.

Known for their hazy, slacker indie-rock vibes, Sydney band, Bearhug has a knack for infusing a sometimes carefree, sometimes agitated but always nostalgic sound into their music. Driven by walls of guitar hooks, noodling melodies, and bare-bones drums that careen under laidback vocals, the band captures that “hair-in-the-face” adolescence spirit that aligns them to 90s stalwarts Dinosaur Jr., Sonic Youth, and Screamfeeder.

For the past couple of months, Bearhug has been travelling down the Australian East Coast with local band, Babaganouj for the launch of their latest single, Can’t Stop. Perfect for a chill-out day, knocking back a couple of beers with the crew, this is Bearhug, recorded last year by the FBI Radio’s Live Feed crew at the Newtown Social Club.

Airing details: Originally via Zed Digital, 8-9pm, Friday 10 July 2015.
Show production and engineering: Branko Cosic.