Ep 203: The Dacios; Hi-Tec Emotions; Miss Destiny

The Dacios

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Photo: Brad Henderson

Engineered by Alicia Saye & Paul Maybury
Recorded at PBS FM Studios, Melbourne, 9th February 2017

The Dacios first took to the stage in 2005, with their noisy rock’n’roll sound. Reborn from the ashes of Tasmanian band Little Ugly Girls, their lineup started with Linda J on vocals and guitar, Bean on guitar and backups, and ‘Pops’ on traps. Their dynamic live shows have earned them support slots for many high profile artists, such as Rowland S Howard, The Drones, and Eddy Current Suppression Ring. 2009 saw Linda J win the best female vocalist award at the Victorian Music Awards and also saw The Dacios release their debut album, Monkey’s Blood which then saw the band tour extensively. Their second album Beyond The Bottom Hour came out late 2016.

Hi-Tec Emotions

Hi-Tec Emotions
Photo: Zo Damage

Engineered by Alicia Saye & Paul Maybury
Recorded at PBS FM Studios, Melbourne, 8th February 2017

Hi-Tec Emotions are a fiery three piece from Melbourne, who are spinning tunes that blow off the roof. Made up of Ema Dunstan on vocals and keys, Jess Lakatosh on bass and Mackenzie Randall on drums, they make some big noise for a small band, with their relentless punk grooves combined with their self described “new wave, glow wave, blow wave” aesthetic, which makes for an unforgettable sound. Their debut full length LP ‘Hard To Handle’ came out in 2016, with standout single Look Around gaining some traction on community radio.

Miss Destiny

PBS_Day294 2.jpgPhoto: Melissa Cowan

Engineered by Alicia Saye & Paul Maybury
Recorded at PBS FM Studios, Melbourne, 7th February 2017

Miss Destiny are a rockin’, rollin’, hard partyin’ band from Melbourne, who have been tearing up the streets since 2007. Their glam rock aesthetic brings back memories of better days, when music served up tasty jams with no more than four chords. Made up of Harriet Junior, Harriet Senior, Annie and Kirk, this band brings some serious girl power to the front. Since then they have been touring internationally, playing to massive crowds and filling big venues. Self titled LP Miss Destiny came out 2016, and has expanded the band’s fan base tremendously.

Airing details: Originally via Zed Digital, 7-8pm, Sunday 16th of April 2017.

Show production and engineering: Branko Cosic.

Ep 196: Some Jerks; Gonzovillain

Some Jerks

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Recorded & Mixed by Branko Cosic
Recorded at The Foundry, Brisbane, 14th January 2017

Some Jerks are a garage/surf rock band that formed in Brisbane in 2010.

Inspired by the girl groups, and garage rock of the 60’s, and once quoted as “sounding like Sleater-Kinney covering the Shangri-las”, they released their self titled EP, in 2011 and followed that up with their debut album ‘Buddy Rich Made Me Cry’ and sophomore release ‘Strange Ways’ in 2016.

Gonzovillain

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Recorded & Mixed by Christopher Brownbill
Recorded at Underground Audio, West End Festival, Brisbane, 28th October 2016

Gonzovillain are a 4 piece alt-rock band from Brisbane, Australia. They have developed their sound over the course of 3 EPs, including their second release “Gonzovillainy” which introduced the bands signiature pump organ. This session kicks off with one of those organ songs and also includes 4 brand new tracks, unreleased anywhere else.

This particular set was recorded as part of West End Festival at an event called Live To Tape, which saw 3 acts local to the West End/Kurilpa area gather in one night to perform live to 2-inch tape at Underground Audio. These recordings were engineered and mixed by in-house engineer Chris Brownbill, who also owns the studio.

Airing details: Originally via Zed Digital, 7-8pm, Sunday 12th of February 2017.

Show production and engineering: Branko Cosic.

Ep 193: Sweater Curse; Tralala Blip

Sweater Curse

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Recorded by Reuben Aptroot
Mixed by Luke Thomson
Recorded at Sonic Masala Festival, Brisbane, 13th August, 2016

If you mix the vocal stylings on The Cure’s Robert Smith and Beth Orton with the rawness of early output from Bloc Party, you arrive at the sound that Sweater Curse output.

This particular set was captured at one of their first shows and are a band to watch out for in 2017.

Tralala Blip

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Recorded by Eileen Tierney
Mixed by Branko Cosic
Recorded at PBS FM Studios, Melbourne, 25th August 2016.

Hailing from Lismore on New South Wales’ North Coast, Tralala Blip are a 5 piece ensemble armed with devices that create electronic pulses and beats that feed into reverberation units that produce lush swells of sound that mesmerises the senses in the live arena with visuals accompanying the audio to complete the experience.
The group was founded by Randolf Reimann who ran electronica workshops for young people of mixed abilities in 2007. Three of the workshop participants wanted to continue making music and came together to form Tralala Blip, which has taken from the local halls of Lismore to the Sydney Opera House and around Europe.

Airing details: Originally via Zed Digital, 7-8pm, Sunday 15th of January 2017.

Show production and engineering: Branko Cosic.

Ep 190: Chastity Belt; Hobo Magic; Horsehunter

Chastity Belt

chastity_belt-2Photo: James Juarez

Engineered by Alicia Saye
Recorded at PBS FM Studios, Melbourne, 4th October, 2016

The north-western town of Walla Walla, Washington is where Chastity Belt call home and where they create the powerful wall of chords that gel with solid beats that are denser than the water in the ocean.

Julia Shapiro, Lydia Lund, Annie Truscott and Gretchen Grimm formed the band is 2010 whilst all were attending the local liberal arts establishment, Whitman College and 2013 was the year they released their first long-player ‘No Regrets’.

Their transcendent and charming live shows have taken them on tour to Europe twice, earned them the support slot on one of Courtney Barnett’s multiple US tours, seen them share stages with Wire, Death Cab For Cutie and Protomartyr as well as gracing festival line ups including Sasquatch, Sled Island, The Great Escape and NXNE.

 

Hobo Magic

hobo-magicPhoto: MIMM

Engineered by Tom Strode
Recorded at PBS FM Studios, Melbourne, 29th June, 2016

Hailing from Sunshine Coast in Queensland, Hobo Magic have a tendency to make heads nod and air guitars suddenly appear with their brand of Sabbath-esque stoner-groove. Their name is Hobo Magic. They have 2 records out with their third record coming out in 2017.

Horsehunter

horsehunter-2Photo: Crystal Richardson

Engineered by Tom Strode
Recorded at PBS FM Studios, Melbourne, 29th June, 2016

Horsehunter have been sonically brooding since 2012, but already sound like a band so tight and wise beyond their years.

Their interests include Slayer, kites and tacos. Two years in the making, their debut album ‘Caged In Flesh‘ melted faces in 2015

Airing details: Originally via Zed Digital, 7-8pm, Sunday 18th of December 2016.

Show production and engineering: Branko Cosic.

Ep 186: Terry; Ninetynine

Terry

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Engineered by Jeremy Smith
Recorded at PBS FM Studios, Melbourne, 26th July 2016.

Melbourne band Terry is a supergroup of sorts— comprising members who have played with the likes of Dick Diver, UV Race, and Total Control. Terry has just two 7″ singles, yet already they have proven themselves as a spirited group. Alongside contemporaries like DC’s Gauche and London’s Shopping, Terry evoke not only the minimalism of classic post-punk, but also its intellectual edge.

Terry are at once critical and funny, skeletal and chaotic. There is a multiplicity of droll, slightly off voices deadpanning about class, beer-drinking, and men who won’t apologise. This slanted ripper culminates with searing, splintering guitars, knotted with an expressive emotionality, all buzzsaws that make sparks fly.

Ninetynine

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Engineered by Myles Mumford
Recorded at PBS FM Studios, Melbourne, 25th August 2016.

Over the course of twenty years Melbourne’s multi-instrumental indie rockers Ninetynine have released seven albums along with singles and numerous compilation tracks, played hundreds of shows and toured nationally and internationally taking in cities from Bendigo to Mexico City and New York to Moscow.

Originally the vehicle for the musical vision of Laura Macfarlane, who recorded the first tracks under the moniker whilst based in the US as drummer for Sleater-Kinney, Ninetynine has now become an established ensemble with long time members Cameron Potts, Iain McIntyre and Meg Butler.

Airing details: Originally via Zed Digital, 7-8pm, Sunday 20th of November 2016.

Show production and engineering: Branko Cosic.

Ep 183: Hiatus Kaiyote

Hiatus Kaiyote

hiatus-kaiyote_vivid-live-soh_credit-prudence-upton-129photo by Prudence Upton

Recorded by Jason Blackwell
Mixed by Harvey O’Sullivan
Recorded at VIVID Live @ Sydney Opera House, Sydney, 31st May 2016.

In a whirlwind five years with two Grammy nominations, multiple world tours, and nods from Erykah Badu, Questlove and Prince, Hiatus Kaiyote meld electric jazz virtuosity with the beat-making dexterity of Flying Lotus and Madlib, and transform it into what the band describes as ‘multi-dimensional, polyrhythmic gangster sh*t’. Singer-guitarist Nai Palm leads the band with her soul-driven force and is backed up by Paul Bender on bass, Simon Mavin on keyboards and drummer Perrin Moss. They released their first album ‘Tawk Tomahawk’ independently in 2012, which garnered attention from Flying Buddha Records  and received worldwide distribution that lead them to their first Grammy nomination for the song ‘Nakamarra’ which featured Q-Tip of A Tribe Called Quest fame on guest vocals. In 2015, they released their second album, titled ‘Choose Your Weapon’ which propelled them to yet another Grammy nomination for the song ‘Breathing Underwater’. This performance at the Sydney Opera House captures the band firing on all cylinders with a bit of help from Sampa The Great.

Airing details: Originally via Zed Digital, 7-8pm, Sunday 30th of October 2016.

Show production and engineering: Branko Cosic.

Ep 182: Sleepwalks; You Beauty!

Sleepwalks

img_0012-1photo by Stephanie Audet

Recorded by Reuben Aptroot
Mixed by Branko Cosic
Recorded at Sonic Masala Festival, Brisbane, 13th of August 2016.

Starting up in the tail end of the noughties in Brisbane, Sleepwalks is a unity between three friends, David Hansford, Kevin Fincham and Damien Masters, and their love for loud yet simply structured music, known to some as the ‘Grunge’ genre. They released their first record ‘The Milk Has Gone Sour’ in 2011 though Z-Man Records and it encapsulated their holiday to Chicago to record with Steve Albini, whose name you’ll see in the liner notes of records belonging to Shellac, Big Black, Pixies, Breeders, PJ Harvey and little known band called Nirvana.
They started writing and recording their follow-up album in 2012, but it wasn’t until 2016 until they finished and released it to the world and titled it ‘Kingdom’.
Their performances are rare to come by, so it was a treasure to capture this band picking up their instruments again and breathing new life into the raw materials.

You Beauty!

07youbeauty_gallerybar-2-770x433photo by Liam Cameron

Recorded & Mixed by Harvey O’Sullivan
Recorded at Volumes 2015 Festival, Sydney, 29th August 2015.

You Beauty! is not only a term you’ll hear yelled at an Australian sporting event that involves an oval-shaped ball, but is also the name of a four-piece band based in Sydney, who take their ockerisms and wear them on their sleeve. In 2014, they released their ‘pub-rock opera’ titled Jersey Flegg, which tells the tale of love and loss during the 1998 NRL season. Fast-forward to late 2015 and You Beauty have shifted their focus of love to online adventures on their second album ‘Illywacka’, which came out through Rice Is Nice Records.

Airing details: Originally via Zed Digital, 7-8pm, Sunday 23rd of October 2016.

Show production and engineering: Branko Cosic.

EP 180: Eyes Ninety; A Country Practice

Eyes Ninety

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Photo by Glan Schenau

Recorded by Nell Forster
Mixed by Branko Cosic
Recorded at The Bearded Lady, Brisbane, 27th of May 2016.

Kicking it off in 2014, Eyes Ninety make erratic garage that dabbles into punk, post-punk and classic Australian rock ‘n’ roll. Their members are a part of a few renowned Brisbane bands such as The Standing 8 Counts, Chinese Burns and Eat Laser Scumbag!, however Eyes Ninety are their own beast. With furious bass and guitar lines backed by upbeat drumming that keeps the pace, vocalist Tom Beaumont shouts and screams with various levels of energy while the second guitar detaches itself almost completely from the rest of the group and carves its own path which makes you uncomfortably unsure if the band is either about to erupt into chaos or dwindle down into nothingness. It’s this feeling of uncertainty that creates such a bubbling atmosphere of energy that makes Eyes Ninety the great band that they are.  In 2015, they released their self-titled debut album through Swashbuckling Hobo Records, which features 9 tracks of sharp lo-fi production that suits the band’s aesthetics to a ‘T’.

A Country Practice

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Photo by Steven Schnorrer

Recorded by Reuben Aptroot
Mixed by Joel Saunders
Recorded at Sonic Masala Festival, Brisbane, 13th of August 2016.

A Country Practice is a family band playing songs that draw on their childhood growing up in the rural Lockyer Valley. Stories of droughts, cattle farming and summer storms feature throughout.  The three piece of husband-wife Joel & Kelly and brother Andrew, wrap their simple nylon string guitar ballads in hazy broken electronic beats and melodies and the sort of vocal harmonies you’d expect from family members.  A Country Practice was formed out of the ashes of Ambitious Lovers, which were featured in Episode 115 of Live Delay.  

Airing details: Originally via Zed Digital, 7-8pm, Sunday 2nd of October 2016.

Show production and engineering: Branko Cosic.

EP 179: Luke Daniel Peacock; Jonathan Boulet

Luke Daniel Peacock

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Recorded by Branko Cosic
Mixed by Branko Cosic
Recorded at the HOME Showcase at BIGSOUND Festival, Brisbane , 7th September 2016.

Kicking off his career on keys and guitar in the critically-acclaimed Brisbane group Halfway, Luke Daniel Peacock has since become a prolific songwriter in his own right. In 2014, he was the driving creative force for the groundbreaking project, The Painted Ladies, a group that revived the lost songs of Vic Simms in an album titled ‘The Painted Ladies Play Selections From The Loner’. This collaboration was produced by Rusty Hopkinson from You Am I and featured The Medics, Paul Kelly, Ed Kuepper (The Saints/The Laughing Clowns), Ian Haug (The Church/Powderfinger), John Willsteed (The Go-Betweens), Phil Noy & Eugene Ball (The Bamboos), Bunna Lawrie (Coloured Stone) and many more. In February 2016, he released his first solo album titled ‘We’ve Come A Long Way Darling’ to much praise, including a Queensland Music Award for his song ‘Fruits Of Our Labour’, as well as receiving the prestigious Billy Thorpe Scholarship Award in 2016. His work sounds like a modern day Australian version of Bruce Springsteen, and he’s well on his way to becoming a legendary artist in his own right.

 

Jonathan Boulet

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Photo by Kerrie Geier

Recorded by Branko Cosic
Mixed by Branko Cosic
Recorded at The Triffid, Brisbane, 6th November 2015.

Coming from Sydney, Jonathan Boulet released his self titled debut solo album in 2009 through Modular Recordings. His debut record was written, recorded, played and produced by himself in his small garage studio. The album was released to much praise and earned him a spot on the Splendour In The Grass lineup in 2010. His second album ‘We Keep The Beat, Found The Sound, See The Need, Start The Heart’ was released in 2012 which further solidified his ability to write catchy, high energy indie pop. After playing a string of international shows and showcases at SXSW, Jonathan took a year off in Berlin to work on new music. What emerged in 2014 was a radically different beast from his previous work. Now signed to Popfrenzy Records, his latest album Gubba is nothing but rock n roll with big drums, face melting guitars, and heavy thumping bass lines.    

Airing details: Originally via Zed Digital, 7-8pm, Sunday 25th September 2016.

Show production and engineering: Branko Cosic.

EP 178: Edith Thomas Furey; Undead Apes

Edith Thomas Furey

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Recorded by Reuben Aptroot
Mixed by Branko Cosic
Recorded at The Brightside, Brisbane, 4th March 2016. 

Coming from Brisbane, this one man band is the brain product of Joel Glazebrook. Using an elaborate setup of synths, drum machines, guitars, and loop pedals both in the studio and for live performances, Edith Thomas Furey create catchy new wave post punk with an 80’s feel, with some heavier kind of elements taken straight from the 90’s industrial scene. Since august he has released three singles, with mention of an EP due in the future.

Undead Apes

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Recorded by Reuben Aptroot
Mixed by Reuben Aptroot
Recorded at Club Greenslopes as part of Sonic Masala Fest, 13th August 2016.

 

Undead Apes are the all star team of punk rock bands from Brisbane in the early 2000’s. They feature Simon Graydon from Sekiden, John Mercer from Greig, and Dick Nasty, Adam Scott from Eat Laser Scumbag!, and Renae Elise from Gazoonga Attack. Their live shows are a complete rarity with their bassist Adam living overseas, but they have still found time to write and record three albums over their lifespan, which have all been released on Brisbane label mere noise records. Their latest album ‘Landfill’ was released on the 14th of June 2016 and features lyrical themes such as astrophysics, recreational use of embalming fluid, tofu, communist brainwashing of youth via rock’n’roll, and affairs of the heart. This set was captured at their only live show of 2016.

Airing details: Originally via Zed Digital, 7-8pm, Sunday 18th September 2016.

Show production and engineering: Branko Cosic.