EP 242: Protomartyr

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Photo: Tracie Tee

Protomartyr

Recorded and mixed by Branko Cosic
Recorded at the Foundry, Brisbane, 15th February 2018

Detroit based musicians Greg Ahee (guitar) and Alex Leonard (drums) first began performing as a duo under the name Butt Babies. Soon they were joined by Joe Casey on vocals and once Scott Davidson joined the band on bass, Butt Babies transformed into Protomartyr.

The band signed to Urinal Cake Records and released their debut album, No Passion All Technique in 2012 which was followed by 2014’s Under Color of Official Right in April 2014 via Hardly Art records. The critically acclaimed The Agent Intellect, followed in October 2015, as well as extensive touring throughout the US and Europe.

After signing to Domino in 2017 their fourth effort   saw the band make the long trek out to our shores to play a set of songs spanning their whole career.

Airing details: Originally via Zed Digital, 7-8pm, Sunday 29th of April 2018.

Show production and engineering: Reuben Aptroot.

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EP 226: My Disco

Ep 226 Instagram

Photo: Jesse Booher

My Disco

Recorded by Branko Cosic
Mixed by Luke Thomson
Recorded at The Foundry, Brisbane, 28th January 2017

My Disco are a three-piece post-punk/minimalist band from Melbourne. Formed in 2003, the band became known for their use of unconventional performance spaces such as warehouses, art galleries and sidewalks. They soon released their debut 7inch “Collapse Of An Erratic Lung” and began touring extensively through Australia, Southeast Asia and Mexico.

My Disco’s debut LP “Cancer” was released via Temporary Residence Limited in 2006. This saw them expand touring to the UK and the US, before heading to Electric Audio studios to record with legendary producer and Shellac band member Steve Albini. These sessions produced the band’s second album “Paradise”, which was released in 2008 and described as reductive art rock.

Since then, My Disco have released 2 more albums; 2010’s “Little Joy” and 2015’s “Severe.” Severe saw the band explore the minimalist musical aesthetic that’s been their hallmark since formation, creating an at times confronting record.

Airing details: Originally via Zed Digital, 7-8pm, Sunday 29th of October 2017.

Show production and engineering: Reuben Aptroot.

Ep 221: Even

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Even

Recorded & Mixed by Branko Cosic
Recorded at The Foundry, Brisbane, 14th January 2017

Forming in Melbourne in 1994, Even was formed by high school friends Ash Naylor and Matthew Cotter, and were joined by Roderick “Wally” Kempton from The Meanies on Bass. Even’s sound is attributed to Naylor’s love of guitar pop music of the 1960’s and 1970’s and introduced themselves to the world with 2 EP releases in 1995, ‘In Stereo’ and ‘Ten to Forty-Six’ through Rubber Records.

1996 saw the release of their debut album, ‘Less Is More’, which was recorded by Greg Wales and mixed by Wales and esteemed UK-via-Australia producer Nick Launay. Australian musicologist, Ian McFarlane, said at the time that is was “one of the best Australian debut albums of 1996.” and was it was nominated at the 1997 ARIA awards for Best Independent Release.

They followed it up with 1998’s ‘Come Again’ which featured acclaimed American producer Tony Lash on the desk, and kicked off the millennium with their third album ‘A Different High’ in 2001, with ‘Free Kicks’ following in 2004, ‘Even’ in 2008 and ‘In Another Time’ in 2011.

On the 20th anniversary of ‘Less Is More’, Even decided to celebrate the occasion with a small run of dates on the East Coast and we were lucky enough to capture their show in Brisbane.

Airing details: Originally via Zed Digital, 7-8pm, Sunday 10th of September 2017.

Show production and engineering: Branko Cosic.

Ep 220: Red Riders

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Red Riders

Recorded & Mixed by Branko Cosic
Recorded at The Foundry, Brisbane, 12th May 2017

The two founding members of Red Riders, Alex Grigg and Adrian Deutsch, first met at a Black Rebel Motorcycle Club gig in 2002 and discovered a common interest in music. The band started playing house shows in 2003 and would spend 2004 moving up the ladder of the Sydney music scene with support slots with Jet, The Sleepy Jackson and Franz Ferdinand and the release of their self-titled debut EP  before the end of the year.

2005 turned into another busy year with the release of their second EP ‘The Plan A’ amongst more national touring and 2006 saw the release of their breakthrough debut album ‘Replica Replica’ on Ivy League Records. In 2008, Adrian Deutsch announced that he was leaving the band to concentrate on his solo career and was replaced by Brad Heald, who was also playing guitars in The Vines, their label mates at the time. Red Riders released their album, titled ‘Drown In Colour’ in 2009 and continued touring all the way through 2010, even hinting that they were demoing songs for a third album. In April 2011, the band made announcement that they were splitting up, with farewell shows to follow featuring Adrian Deutsch back on guitar and playing as a five-piece outfit.

In 2017, Red Riders announced that they were reuniting to support their long time friends Dappled Cities for a string of shows along the east coast. We were lucky enough to capture their Brisbane show during this run.

Airing details: Originally via Zed Digital, 7-8pm, Sunday 3rd of September 2017.

Show production and engineering: Branko Cosic.

EP 218: I Heart Hiroshima; Big Bad Echo

Ep 218 InstagramPhoto: Justin Edwards (I Heart Hiroshima) / Brodie Popple (Big Bad Echo)

I Heart Hiroshima

Recorded & Mixed by Branko Cosic
Recorded at The Foundry, Brisbane, 14th March 2017

Forming in Brisbane in 2005, the nucleus of I Heart Hiroshima was born at a house party, with Sullivan Patten, Matt Somers and Mel Ralph (later replaced by Cameron Hawes) joining forces to create a ‘2-guitars and drums’ jangle rock band. 2006 saw the release of 2 EP’s and unrelentless touring which had eyes and ears glued to what was going to come next. Their debut album ‘Tuff Teef’ saw the light of the day in August 2007 with publications in Australia and UK going wild for their sound. They backed it up with their 2nd album ‘The Rip’ in 2009, with their single ‘Shakeytown’ taking out the No. 1 spot on the 4ZZZ Hot 100 countdown on New Year’s Day 2010.

Sullivan moved to Germany in 2011, which put the band into indefinite hibernation, with Cameron and Matt playing in bands such as Martyr Privates and Slug Guts during the meantime. When Sullivan arrived back in Brisbane in 2015, the band got back together and started playing shows again, with new material being thrown into the setlists. The first song to be released post-hiatus was called ‘Fifty-Three’ and before the end of the year, had a new EP titled ‘Spillin’ The Light’.

Big Bad Echo

Recorded & Mixed by Reuben Aptroot
Recorded at The Zoo, Brisbane, 12th November 2016

Next up is Big Bad Echo, who also hail from Brisbane and was formed in 2013 by frontman Mick Reddy, originally as a solo songwriting outlet. In 2014, the band had grown into to a solid 5-piece and in 2016, they released their debut EP ‘It Takes A Big Dog To Weigh A Tonne’.

Airing details: Originally via Zed Digital, 7-8pm, Sunday 20th of August 2017.

Show production and engineering: Branko Cosic.

EP 214: BIGSOUND 2016 Special – Week 4

Ep 214 InDesign BIGSOUND Wk 4Photo: supplied

Ainslie Wills

Recorded by Nell Forster
Mixed by Luke Thomson
Recorded at The Foundry, Brisbane, 7th September 2016

Fountaineer

Recorded by Daniel Maher
Mixed by Luke Thomson
Recorded at Ric’s Big Backyard, Brisbane, 8th September 2016

Gregor

Recorded by Sam Lowe
Mixed by Luke Thomson
Recorded at Woolly Mammoth Alehouse Stage, Brisbane, 8th September 2016

SAATSUMA

Recorded by Daniel Maher
Mixed by Branko Cosic
Recorded at Ric’s Big Backyard, Brisbane, 7th September 2016

Airing details: Originally via Zed Digital, 7-8pm, Sunday 16th of July 2017.

Show production and engineering: Branko Cosic.

Ep 196: Some Jerks; Gonzovillain

Some Jerks

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Recorded & Mixed by Branko Cosic
Recorded at The Foundry, Brisbane, 14th January 2017

Some Jerks are a garage/surf rock band that formed in Brisbane in 2010.

Inspired by the girl groups, and garage rock of the 60’s, and once quoted as “sounding like Sleater-Kinney covering the Shangri-las”, they released their self titled EP, in 2011 and followed that up with their debut album ‘Buddy Rich Made Me Cry’ and sophomore release ‘Strange Ways’ in 2016.

Gonzovillain

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Recorded & Mixed by Christopher Brownbill
Recorded at Underground Audio, West End Festival, Brisbane, 28th October 2016

Gonzovillain are a 4 piece alt-rock band from Brisbane, Australia. They have developed their sound over the course of 3 EPs, including their second release “Gonzovillainy” which introduced the bands signiature pump organ. This session kicks off with one of those organ songs and also includes 4 brand new tracks, unreleased anywhere else.

This particular set was recorded as part of West End Festival at an event called Live To Tape, which saw 3 acts local to the West End/Kurilpa area gather in one night to perform live to 2-inch tape at Underground Audio. These recordings were engineered and mixed by in-house engineer Chris Brownbill, who also owns the studio.

Airing details: Originally via Zed Digital, 7-8pm, Sunday 12th of February 2017.

Show production and engineering: Branko Cosic.

Ep 193: Sweater Curse; Tralala Blip

Sweater Curse

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Recorded by Reuben Aptroot
Mixed by Luke Thomson
Recorded at Sonic Masala Festival, Brisbane, 13th August, 2016

If you mix the vocal stylings on The Cure’s Robert Smith and Beth Orton with the rawness of early output from Bloc Party, you arrive at the sound that Sweater Curse output.

This particular set was captured at one of their first shows and are a band to watch out for in 2017.

Tralala Blip

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Recorded by Eileen Tierney
Mixed by Branko Cosic
Recorded at PBS FM Studios, Melbourne, 25th August 2016.

Hailing from Lismore on New South Wales’ North Coast, Tralala Blip are a 5 piece ensemble armed with devices that create electronic pulses and beats that feed into reverberation units that produce lush swells of sound that mesmerises the senses in the live arena with visuals accompanying the audio to complete the experience.
The group was founded by Randolf Reimann who ran electronica workshops for young people of mixed abilities in 2007. Three of the workshop participants wanted to continue making music and came together to form Tralala Blip, which has taken from the local halls of Lismore to the Sydney Opera House and around Europe.

Airing details: Originally via Zed Digital, 7-8pm, Sunday 15th of January 2017.

Show production and engineering: Branko Cosic.

EP 177: Babaganouj; The Goon Sax

Babaganouj

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Recorded by Tim Roberts
Mixed by Tim Roberts
Recorded at The Foundry, Brisbane, 20th of March 2015.

Starting in 2011, Babaganouj have become an absolute songwriting powerhouse in the last 5 years releasing too many singles and EP’s to name, as well as touring the east coast more times than we can keep track of. Their garage pop sound is always dripping with the glowing sunbeams you can expect from a Brisbane band, but what makes them unique is songwriting and vocal duties are shared equally between the three members Harriette Pilbeam, Ruby McGregor, and Charles Sale. They’ve even taken the extra step in this direction by recording three separate EP’s for release this year, with each one written solely by one member. And although they may share the songwriting duties, their songs are always catchy, upbeat, and there to keep the good times rolling.

The Goon Sax

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Recorded by Branko Cosic
Mixed by Branko Cosic
Recorded at The Woolly Mammoth, Brisbane, 25th of June 2016.

Like their name would probably indicate, The Goon Sax are a teenage trio who write songs bout being an awkward adolescent, while still being that awkward adolescent. Their songs cover everything from home haircuts, ice cream, and not being able to work at target. Put simply they have found a way to turn the mundane pieces of growing up in suburbia and write catchy, jangly indie pop songs about it.  Their debut album ‘Up to Anything’ has seen them tour nationally and internationally, and even scored great reviews from international tastemaker publications Pitchfork and NME.

Airing details: Originally via Zed Digital, 7-8pm, Sunday 11th September 2016.
Show production and engineering: Branko Cosic.

EP 147: The Highlights of 2015

This episode is a compilation of the best live performances captured and broadcast by Live Delay in 2015.

Artist Include

Making – Come To Me
Recorded by Josh Watson
Mixed by Branko Cosic.
Recorded at Crowbar, Brisbane, 5th September 2015.

Spirit Bunny – Gold & Brown
Recorded by Branko Cosic
Mixed by Cam Smith
Recorded at The Waiting Room on the 13th of September, 2014.

Sunbeam Sound Machine – Wandering, I
Recorded & Mixed by Branko Cosic.
Recorded at The Triffid, Brisbane, 27th of June, 2015.

Bearhug – Habit Wave
Recorded by Hugh Fasher and Harvey O’Sullivan
Mixed by Harvey O’Sullivan
Recorded at Newtown Social Club, Sydney on the 18th of September, 2014.

The Peep Tempel – Carol
Recorded & Mixed by Branko Cosic.
Recorded at The Brightside, Brisbane, 16th of May 2015.

Super Best Friends Dog Whistling
Recorded by Harvey O’Sullivan and Hugh Fasher
Mixed by Harvey O’Sullivan
Mastered by Andrew Edgson
Recorded at Newtown Social Club, Sydney, 2nd of May, 2015.

The Love Junkies – Rather Be Dead
Recorded & Mixed by Branko Cosic.
Recorded at The Haunt, Brisbane, 25th of April, 2015.

HITSPush
Recorded & Mixed by Branko Cosic.
Recorded at The Triffid on the 3rd of May, 2015.

Bandito Folk – Go Your Own Way
Recorded by Josh Watson.
Mixed by Josh Watson.
Recorded at The Underdog, Brisbane on 20th of November, 2014.

Palms – Rainbows
Recorded and Mixed by Branko Cosic.
Recorded at The Foundry, Brisbane, 20th August 2015.

Lyall Moloney -Pot of Gold
Recorded & Mixed by Branko Cosic.
Recorded at The Bearded Lady, Brisbane, 13th of August, 2015.

Airing details: Originally via Zed Digital, 8-9pm, Friday 18th December 2015.
Show production and engineering: Branko Cosic.