EP 237: Violent Soho

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Photo: Matt Walter

 

Violent Soho

Recorded and mixed by Branko Cosic
Recorded at the Mansfield Tavern, Brisbane, 23rd December 2017

The Mansfield 4-piece first formed in 2004, all attending Mansfield State High School. Local shows with Brisbane favourites Eat Lazer Scumbag and Gazoonga Attack caught the eye of producer Bryce Moorhead of who recorded their first EP Pigs & T.V. in 2006.

The EP gained the band attention nationally, recruiting Magic Dirt’s Dean Turner as manager. He also produced and released their first full length album in 2008 on his Emergency Music label. We Don’t Belong Here continued their steady growth in popularity, allowing them to tour internationally for the first time as well as play national festivals Homebake, Laneway, Meredith, Falls and Southbound.

Thurston Moore of Sonic Youth became a fan of the band during this time and quickly signed Violent Soho to his label Ecstatic Peace! Records. This lead them to relocate to the U.S and re-recorded most of the material from their debut with legendary producer Gil Norton. The result was their self titled record, released in the early parts of 2010, which they toured extensively throughout the states and back home in Australia.

Violent Soho eventually parted ways with Moore’s label in 2011, returning home to sign with Melbourne based independent label I Oh You. They also linked back up with Bryce Moorhead to begin work on Hungry Ghost, which was released in 2013. A coming of age for the band, Hungry Ghost attained gold status in Australia and extensive touring continued nationally and abroad.

The band’s fourth album Waco, again produced by longtime collaborator Bryce Moorhead, debuted at no. 1 on both the ARIA and iTunes charts upon release in 2016. Countless sold out shows followed, solidifying them as one of Australia’s most popular independent artists.

 

Airing details: Originally via Zed Digital, 7-8pm, Sunday 18th of February 2018.

Show production and engineering: Reuben Aptroot.

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EP 236: Spiral Stairs

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Photo: Sarah Kidd

 

Spiral Stairs

Recorded and mixed by Branko Cosic
Recorded at Black Bear Lodge, Brisbane, 10th December 2017

Spiral Stairs aka Scott Kannberg first began making music with co founding member Stephen Malkamus in the legendary 90’s act Pavement. After Pavement disbanded in 1999, Kannberg formed Preston School Of Industry, who went on to release two albums through Matador Records; 2001’s All This Sounds Gas and 2004’s Monsoon.

5 years passed before Kannberg re-emerged with his first solo effort The Real Feel, which was also released through Matador. He then relocated to the northern Brisbane suburb of Beachmere for a few years, before slowly beginning work on the follow up.

2017 saw the release of Doris And The Daggers, Kannberg’s most personal and emotional music to date. Alongside the album was a bonus Australian only 7“ entitled Pig City accompanied with the B-Side Vultures Of Caboolture, which are a homage to his time spent in Brisbane. Pig City, a song title shared by Queensland band The Parameters, was inspired by the Andrew Stafford book about Brisbane music during the police corruption era as well as the influential sounds of The Go-Betweens.

Airing details: Originally via Zed Digital, 7-8pm, Sunday 11th of February 2018.

Show production and engineering: Reuben Aptroot.

EP 235: Seja & McKisko

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Photo: Justin Edwards

Seja

Recorded and mixed by Reuben Aptroot
Recorded at Sonic Masala Fest, Brisbane, 19th August 2017

Brisbane via Germany musician Seja Vogel, has had a prolific career since starting her first band Sekiden in 1998. Once signed to Modular they released 2 albums and 2 EP’s, touring extensively throughout Australia, Canada, Japan and the USA.

She was also a touring member of Brisbane favourites Regurgitator, joining in 2007 and also contributed to the Love and Paranoia album which was released in the same year. Seja has also lent her keyboarding and singing skills to touring buddies such as SPOD, David McCormack and Ben Salter.

In 2010 Seja began releasing under her own name with her debut solo album We Have Secrets But Nobody Cares via Rice Is Nice. Working with Robert Forster, Cut Copy’s Tim Hoey, Regurgitator’s Ben Ely and Wally De Backer, Seja wrote and recorded a second volume of sweetly synthesised soundscapes entitled All Our Wires in 2013.

McKisko

Recorded and mixed by Branko Cosic
Recorded at Sonic Masala Fest, Brisbane, 19th August 2017

McKisko is Helen Franzmann, a Brisbane-based musician who began her musical career writing and performing in the band Redbreast. After winning the Grant McLennan Fellowship in 2009, she recorded and released her debut under the McKisko moniker entitled Glorio, and then toured the country non-stop supporting the likes of Bon Iver and Jose Gonzales.

She then followed up with 2013’s Eximo, which was released through El Nino records. Her songs are built using inventive instrumentation, an intimate honesty, and a lyricism that journeys through abstract landscapes imbued with emotion.

Airing details: Originally via Zed Digital, 7-8pm, Sunday 4th of February 2018.

Show production and engineering: Reuben Aptroot.

EP 234: Food Court & Siamese

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Photo: Ted’s Records (Sunscreen), Justin Edwards (SE)

Food Court

Recorded and mixed by Branko Cosic
Recorded at Woolly Mammoth Alehouse, 15th September 2017

The members of Sydney’s Food Court met at a party under the Glebe tram-tracks and started jamming 60’s garage blessed with some 90’s fuzz bosh. The band features Cristian Campano (ex-Betty Airs) on vocals/guitar, Lewis Mckeown (Pretend Eye) on bass/vocals, Dan De Santis on guitar and Nic Puertolas (ex-Salvagers) on drums.

2013 saw the release of their debut ep “Smile At Your Shoes” and a string of singles followed. They then followed up with 2014’s “Big Weak” and a full length entitled “Good Luck” which was released in 2017. The album was the final LP to be recorded by John Castle in his legendary Shed Studios – where Castle worked his magic on records from the likes of Megan Washington, You Am I and more recently Jack River.

Food Court bring energy, riffage and a killer live show drawing rave reviews from fans and critics alike, opening for acts including Courtney Barnett, Dune Rats, Northeast Party House, Beach Slang and Spring King.

Siamese

Recorded by Reuben Aptroot and mixed by Branko Cosic
Recorded at Against The Grain Fest, Brisbane, 27th August 2017

Adelaide 4-piece Siamese have caused a stir nationally, through a strong commitment to chaotic, yet commanding live shows and the strength of their songwriting. With their debut singles ‘Computer Patient’, ‘Scatterbrain’ and ‘Slaughterhouse’, the band summons the spirit of alternative rock and shoe gaze, honing a unique, yet evocative sound, reminiscent of 90’s acts HUM, Failure and Unwound.

Siamese have supported the likes of King Gizzard & the Lizard Wizard, Pond and Flyying Colours, even touring nationally with fellow Adelaide band Horror My Friend. 2017 saw Siamese appear at nationally renowned festivals; Poison City Weekender Festival, A Day of Clarity, Swirl Fest and Against the Grain.

Airing details: Originally via Zed Digital, 7-8pm, Sunday 21th of January 2018.

Show production and engineering: Reuben Aptroot.

EP 233: Sunscreen & Soda Eaves

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Photo: Ted’s Records (Sunscreen), Justin Edwards (SE)

Sunscreen

Recorded and mixed by Branko Cosic
Recorded at The Brightside Brisbane, 27th August 2017

Sunscreen is a band from Sydney’s Inner West. Fronted by Sarah Sykes (from Flowertruck) and Alexander McDonald, Sunscreen’s emotional guitar-pop draws inspiration from bands Mazzy Star and The Go-Betweens, delivering ultimate UV protection for the emotions and soul.

The band has supported promising acts including The Ocean Party, Rolling Blackouts C.F, DMA’s, RVG and Jade Imagine. As well as headline shows to support the launch of their debut EP, Just a Drop, a split between Dinosaur City Records and Spunk.

Soda Eaves

Recorded by Reuben Aptroot and mixed by Branko Cosic
Recorded at Sonic Masala Fest, Brisbane, 19th August 2017

Primarily the solo effort of Jake Core, Soda Eaves features contributions from a number of friends, including Jordan Ireland, Alec Marshall (Hot palms, Sui Zhen) and Oliver Mestitz (The Finks). They play distinctly Australian folk music, incorporating atmospheric blues, lucid dream pop and warped found sounds, releasing two LPs – 2013’s ‘Like Drapes Either Side’ & 2016’s ‘Murray, Darling’.

Airing details: Originally via Zed Digital, 7-8pm, Sunday 14th of January 2018.

Show production and engineering: Reuben Aptroot.

EP 232: Radio Birdman

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Photo: Emmy Etie

Radio Birdman

Recorded and mixed by Branko Cosic
Recorded at The Tivoli, Brisbane, 23rd June 2017

Radio Birdman was one of the first Australian independent bands to carry the punk label. The name comes from a misheard The Stooges lyric from the song “1970” (the actual lyric is “radio burnin’”).

They formed in Sydney, 1974 with Deniz Tek and Rob Younger wanted to create a band that challenged the commercial mainstream whilst being completely uncompromising. With the addition of Pip Hoyle on keys, Ron Keeley playing drums and bassist Carl Rorke, Radio Birdman started playing DIY shows in rented garages and community spaces after being rejected from multiple venues.

Once signing with Trafalgar Records, the band released their debut, 1977’s Radios Appear to critical acclaim, leading them to expand their touring circuit to include Melbourne, Canberra and Adelaide. When Sire Records president Seymour Stein came to Australia to sign Brisbane punk band The Saints, he saw Radio Birdman and immediately invited them to join his label.

The band moved their base of operations to London, and toured extensively in the UK and Europe, both headlining and as support for Sire label-mates the Flamin Groovies. Their overseas success was short-lived as Sire Records began having financial difficulties and were forced to drop Radio Birdman and many other bands from their label.

Without a label, with no tour support and no distribution for Radios Appear, the band continued on, while suffering deteriorating interpersonal relations. Radio Birdman played one last show at Oxford University in June 1978, after which the band split up – on the eve of an explosion of independent music in Australia, which they had played a large role in creating.

Airing details: Originally via Zed Digital, 7-8pm, Sunday 7th of January 2018.

Show production and engineering: Reuben Aptroot.

EP 231: Best of 2017 Pt 2

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Part 2 of our 2017 highlights special includes some of our favourite sets from 2017 featuring In Each Hand A Cutlass, Budd, I Heart Hiroshima, The Go-Betweens, Red Riders, Even, The Ocean Party, Clowns, The Dollar Bill Murrays, Grenadiers, FOAM and The Scientists.

Airing details: Originally via Zed Digital, 7-8pm, Sunday 31st of December 2017.

Show production and engineering: Branko Cosic.

EP 230: Best of 2017 Pt 1

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Part 1 of our 2017 highlights special includes some of our favourite sets from 2017 featuring Sweater Curse, Some Jerks, Shrapnel, Cash Savage and the Last Drinks, Hownowmer, Hoodoo Gurus, The Drones, The Peep Tempel, RVG, Empat Lima, Verge Collection and The Laurels.

Airing details: Originally via Zed Digital, 7-8pm, Sunday 24th of December 2017.

Show production and engineering: Branko Cosic.

EP 229: Ali Barter & The Cutaways

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Photo: Liam Thomson (AB), Allan Allport (TC)

Ali Barter

Recorded and mixed by Reuben Aptroot
Recorded at the Brisbane Festival, Brisbane, 23rd September 2017

Melbourne singer/songwriter Ali Barter’s musical career prospects showed promise at a young age, singing with the Australian Girls Choir until the age of 16. After a stint of partying and “running amok” in her early twenties she began to refocus on music releasing her debut EP Trip, produced by Steve Mowatt, in 2012.

2 EP’s followed, working with now partner and longtime collaborator Oscar Dawson, as well as playing the Laneway Festival and support slots for The War On Drugs and Husky. 2016 saw Ali release her debut album “A Suitable Girl” through Inertia Records which gained her huge popularity throughout the country and abroad.

The Cutaways

Recorded and mixed by Reuben Aptroot
Recorded at Crowbar, Brisbane, 5th May 2017

A relatively new band, The Cutaways have just one release to   their name. Their self titled EP was released in September 2016 and the band have been hard at work, performing their impressive live shows ever since. The Cutaways are one to watch for the future.

Airing details: Originally via Zed Digital, 7-8pm, Sunday 26th of November 2017.

Show production and engineering: Reuben Aptroot.

EP 228: The Scientists

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Photo: Mark Louttit

The Scientists

Recorded and mixed by Branko Cosic
Recorded at The Triffid, Brisbane, 4th November 2017

The Scientists first formed in Perth as The Exterminators and then The Invaders in 1977. Once they became The Scientists in 1978, they then released their first single “Frantic Romantic”/”Shake (Together Tonight)” in June 1979 on the D.N.A. Records label. After a debut LP (commonly referred to as The Pink Album) and a number of lineup changes, the band relocated to Sydney in 1982.

This change in scenery and lineup also saw The Scientists change musical direction. Pop-infused punk rock was traded in for a more psychedelic style of swampy, blues rock n’ roll. The band was signed by Au Go Go Records who released two singles as well as the influential “Blood Red River” LP in the space of a year, making them one of Australia’s most popular independent bands at the time. But another move was soon on the cards.

Like many Australian bands, London came calling for The Scientists and they migrated to the UK recording and touring there from 1984 to 1987. In that time they released another five albums, finally returning home to tour The Human Jukebox LP and disbanding shortly after. The 1985 lineup reformed for a set of exclusive shows late in 2017.

Airing details: Originally via Zed Digital, 7-8pm, Sunday 19th of November 2017.

Show production and engineering: Reuben Aptroot.